![]() These experimental ethnographic studies are situated right on the interface of archaeology and anthropology_on the road to a more holistic study of the present and the past.Ī guide to the systematic understanding of the geoarchaeological matrix Reconstructing Archaeological Sites offers an important text that puts the focus on basic theoretical and practical aspects of depositional processes in an archaeological site. They focus on excavation, inscription, heritage management, student training, the employment of hired workers and many other aspects of archaeological practice. Fieldwork spans large parts of the world, with sites in Turkey, the Netherlands, Mexico, Brazil, Italy, Germany, the USA and the United Kingdom being covered. ![]() This book explores the production of archaeological knowledge from a range of ethnographic perspectives. Richly illustrated with artworks from many of the world's important museums, this book provides art enthusiasts with new insights into the creation of many of the world's great masterpieces.Įthnographic perspectives are often used by archaeologists to study cultures both past and present - but what happens when the ethnographic gaze is turned back onto archaeological practices themselves? That is the question posed by this book, challenging conventional ideas about the relationship between the subject and the object, the observer and the observed, and the explainers and the explained. The book concludes with a brief overview of contemporary techniques. Capsule descriptions in the margins list essential information about the subject under discussion, and details of the artworks employed as examples are called out. For instance, in the chapter on drawing, she analyzes the use of charcoal, red chalk, and pastels, among other media. Within each of these categories, Antonella Fuga examines the range of materials and techniques that have developed over the centuries. ![]() This latest volume in the popular Guide to Imagery series discusses the materials and processes used in eight media: painting, drawing, printmaking, sculpture, mosaics, ceramics, glass, and metalwork. They are the physical embodiment of the artist's creative vision and a reflection of the historical context in which they were used. An artist's materials-the bold brushstrokes of a Van Gogh oil painting, the sparkling gold leaf in a Byzantine mosaic, the fragile translucence of a porcelain vase-are not just the accessories of his or her work. ![]()
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